Craig Oliver and Alex Scheff lead a charmed life. Craig is part owner of Sucre Coeur, the bakery he’s loved and managed for years. Alex is an up-and-coming Seattle photographer. Their relationship has been going strong for a year, and everything is absolutely perfect—right up until Craig receives a wedding invitation from his long-estranged brother.
As Craig grows tense over seeing his brother for the first time in years, Alex can’t control his anxiety over meeting Craig’s family. At the wedding in an English hamlet, boisterous Scottish mothers, smirking teenage sisters, and awkward ex-boyfriends complicate the sweet life they lead.
Synopsis: “A brave, unflinching heroine and brave, unflinching writing add up to an extraordinary debut–highly recommended.”–Lee Child
A dark, compulsively readable psychological suspense debut, the first in a new series featuring the brilliant, fearless, chaotic, and deeply flawed Nora Watts—a character as heartbreakingly troubled, emotionally complex, and irresistibly compelling as Stieg Larsson’s Lisbeth Salander and Jo Nesbø’s Harry Hole.
It begins with a phone call that Nora Watts has dreaded for fifteen years—since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren’t looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope.
A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets. Caring despite herself, she sets out to find Bonnie with her only companion, her mutt Whisper, knowing she risks reopening wounds that have never really healed—and plunging into the darkness with little to protect her but her instincts and a freakish ability to detect truth from lies.
The search uncovers a puzzling conspiracy that leads Nora on a harrowing journey of deception and violence, from the gloomy rain-soaked streets of Vancouver, to the icy white mountains of the Canadian interior, to the beautiful and dangerous island where she will face her most terrifying demon. All to save a girl she wishes had never been born.
From talented debut author Simone Kelly comes this suspenseful novel that crackles with intrigue, sex, and plenty of surprises—perfect for fans of Eric Jerome Dickey and Carl Weber.
Meet Jacques Berradi. Moroccan-born and Manhattan-raised, his genuine, sexy-smooth allure goes hand in hand with a unique gift. Since Jacques was young, he has had the ability to read peoples’ energies, communicate with spirit guides, and even catch glimpses of people’s futures. Now a professional “intuitive counselor,” Jacques’s clients pay him handsomely for his insight. Unfortunately, Jacques’s psychic abilities don’t come with an off switch to tune out the world’s noise, nor do they always provide him with easy answers; recently Jacques has begun having dark, alarming dreams about his beloved father, a Moroccan immigrant who died when he was a boy.
Meet Kylie Collins, an adventurous, Miami twentysomething who is trying to find her footing after being laid off from a cushy music industry job. When a mishap brings them together, Kylie is instantly mesmerized by Jacques’s cool demeanor and intuitive abilities, and he’s captivated by her outgoing charm and breezy good looks. Seeking to learn more about her family history—including the identity of the father she’s never known—Kylie visits Jacques’s office to gain some insight about her future, and about her free-spirited and headstrong Jamaican mother, True.
But on the night that they meet, a rolling blackout cuts off power throughout Miami. Kylie and Jacques, and a few of his clients, head to the only place in the neighborhood with enough light to see: Like a Fly on the Wall Detective Agency. There, Kylie serendipitously lands herself the perfect new job as an apprentice private eye.
As partners, Jacques and Kylie are an unstoppable duo. Can Jacques’s intuition reveal the scandalous history of Kylie’s mother and father? Will Kylie’s newfound detective skills uncover evidence about the death of Jacques’s father? And will the chemistry that charges their friendship bubble over into something much, much hotter…?
Olawale and Oluwole are dreadlocked Yoruba lawyers, minority human rights activists fighting for a better Nigeria. Bisexual and closeted, Olawale has spent his adult life protecting and defending his charismatic, more evidently homosexual twin; but when the Same Sex Marriage (Prohibition) Act becomes law, they, their family, and the women who love them are caught in a savage spotlight that threatens to wreck all their lives. In the midst of this Wole and Wale must deal with an estranged convict father whose unexpected reappearance brings dark and troubling family secrets to light.
Fimí sílẹ̀ Forever celebrates the enduring power of love, desire, faith, patriotism and human rights struggle in the face of political oppression and religious prejudice in Nigeria today. It extends the literary conversation begun by Jude Dibia and continued by Chinelo Okparanta.
This book was incredible. Although largely aimed at an African audience, I recommend this book for the LGBTQI+ community; its supporters, human rights activists, and readers who enjoy moving, compelling, and resonating narratives that leave inspired conversation. The content in this book covers strong political, social, cultural, and religious oppression and life-threatening situations that contradict the early to late 2000s following the pass of the SSMPA (Same Sex Marriage Prohibition Act) in 2014 time frame that the book covers.
It is impossible to fathom some of the information the author reveals about the treatment of members, supporters and suspected LGBT individuals in Nigeria, but the accounts are real. Yet, so intricately woven in between these scenes are Wole and Wale, two queer brothers who actively use their skills and connections to push a wave of hope and peace to the otherwise vastly secretive gay community that is forced even further into hiding following SSMPA.
I have mentioned before how first person narration was not always my favorite to read, but with some of the books I have read recently, I am beginning to believe that it is not exactly true. Just with the prologue discussing the attack on a gay club in Nigeria and the criminalization of the victims, the reader is given a small glimpse of how regressive, from a Western point of view; a majority of the country is still today.
With that said, it is important to note how well the author delivers not only the political and religious perspectives of ‘traditional’ Nigeria, but also the progressive, forward thinking and widely read opinions of the population. The author does not offer the stereotypical narrative of closeted homosexuals or queer men who are constantly afraid of speaking out, pushing back or fighting for what is right.
Even with the threat of danger ever present in this book from beginning to end, Nnanna Ikpo presents his readers with the most realistic and relatable account of contemporary, queer Nigerian men doing what they can to make a difference for their community in the best way they know how.
Told mainly through Wale’s eyes, the reader experiences a strong complexity when it comes to the gay community because his character is bisexual. Wale stands behind his and his brother’s cause and work, but seems to often find himself struggling with his sexuality because on a deeper level he feels he’s a hypocrite. While at the same time knows that if he does not play the role of the heterosexual male just fighting for human rights of Nigeria’s minorities, real change may never come.
It is also clear that Wale is motivated by his love for his twin brother, Wole. Though focused on Wale, the author does a wonderful job of painting the clear lines that distinguish the two brothers, regardless of how forward thinking and similar they both are.
Wale seems to have a stronger resolve throughout the narrative than Wole about their decision to keep their sexuality a secret, but at times the author gives the reader a small glimpse of the sadness that lies just beneath Wole’s upbeat and outgoing personality that Wale is always attuned to. Fimí sílẹ̀ Forever: Heaven Gave It To Me, presents a story about love, family, life, hope, equality, community, politics, religion and culture that is so immaculately structured it was difficult to put it down.
One of the moving things about this book, and I could have interpreted it wrong, was there seemed to be a theme of forgiveness with this sense of determination to keeping forward projected with Wale’s perspective. Almost an ambiguous way of expressing that love and perseverance will eventually win-out over hate.
Each chapter opens and closes with a letter or an email and closed with a poem that signifies this ever-continuous foreboding sense of optimistic love and loss that pulls the reader into the chapter.
Like me, I think readers will fall in love with the way Nnanna Ikpo keeps the discussion on human rights consistent and open throughout this book. Connected to Wale’s deep love and pride for being Nigerian, a Christian, and a bisexual man who even, in the end, holds on to the possibility of a better future where there will be change leaves us all hopeful.
First off, thank you so much for allowing this brief Q&A. I deeply appreciate it. Fimí sílẹ̀ Forever is a truly wonderful book.
Thank you. I am glad you enjoyed it.
Please correct me if I am wrong, but the title itself, Fimí sílẹ̀, which is referenced in the book, roughly translated from Yoruba means “leave me alone.” What was your inspiration behind the title?
Your translation is in order. The first inspiration for the title was the popular hit track ‘Olufunmi’ by my all-time favourite boy-band Styl-plus, and reflects a longing to explore my Yoruba roots.
I guess my next question counts as a broad, creative writing process question in regards to the book. One of the key shifting points in Fimí sílẹ̀ Forever was the passing of the SSMPA in early 2014, so was that when the concept for the story came to life or were you already writing the book? If so, how long did completing the book take?
The basic premise of Fimí sílẹ̀ Forever came early in 2013. In my initial thoughts, the story would, among other things, be written predictively to show how ugly things could get if the bill became law. Months into writing the first draft, SSMPA was enacted. My anger at this hugely affected the rest of the writing and rewriting process. Our final draft of Fimí sílẹ̀ Forever emerged in December 2016. Fimí sílẹ̀ Forever took roughly four years.
How were the poems at the end of each chapter inspired?
While pieces like ‘Eka aro my love’, ‘Beni Perhaps’ and ‘Oremi Alhaji’ were inspired by personal experiences of real people and places, occasionally even scenarios from Nollywood films, others arose from the independent evolution of the plot and characters in Fimí sílẹ̀ Forever and their interaction with each other.
Do you have a favorite character or scene from this book? Or a least favorite?
This is a difficult question. The plot and characters in Fimí sílẹ̀ Forever were carefully crafted to capture and evoke multiple symbols, ideas, thoughts, dreams and places both real and imagined. All the characters have their merits (and demerits) and are not in competition with each other – and should never be made to be so. Every part of Fimí sílẹ̀ Forever was thought out and deliberated upon by me and informed by others, some of whom were unconsciously part of the creative process. As such I do not have a favourite character, scene, or least favourite one. They are all important parts of Fimí sílẹ̀ Forever’s big picture, and I think necessary.
The book is so rich with character depth and complex narrative layers that keep the reader emerged in the story as the layers slowly unravel. Therefore, I was curious about how much inspiration you took from real life for some of the characters and the strong discussions that take place in this book, i.e. the discussion that takes place at K.U. between the faculty members and Wale and his students for example.
Thank you! Real people and their dynamics in learning and working spaces may differ in form but are substantially similar everywhere, so in Fimí sílẹ̀ Forever, I simply dragged all these people from the several real spaces I have had access to, dropped them into fictitious classrooms and offices and let them deal with each other. Creativity, imagination, editing and rewriting helped me to layer and colour debates.
Do you have any advice for other aspiring Nigerian writers or just writers of the LGBT community who might want to share their stories and continue to bring awareness to the rigid system struggle they are battling?
It is often tricky to advise other writers, even when our primary aim is the same or similar. We have our varying methods, contexts and journeys, and often are strangers to each other. What I have is not so much advice but a salutation, and cognisance of the fact that our work is important and more than that, necessary. And because our art is mostly ‘queer’ and therefore subversive, it may attract more hostility than acclaim. It may not change the world – at least not hugely – but it will not leave it the same, inshallah.
This book was truly amazing and even with this review, I do not think I give it enough justice. It is highly recommended. Thanks so much for stopping by and checking out my review for Fimí sílẹ̀ Forever: Heaven Gave it To Me.
Until the next post,
I Still Remember
By Priya Prithviraj
Genre: Contemporary Romance/ Coming-of-Age
Age category: Young Adult
Release Date: May 14, 2017
How do you forget someone you’ve loved once? Ji-woo dreams of becoming a writer and is back in college giving it a second shot. But then Weon-gyu, her first love, comes back into her new life. Will she give up on her dreams or will she write them a happy ending?
About the Author:
Priya Prithviraj writes poems which appear in journals such as Eastlit and the New Plains Review. She also writes about books, writing and publishing on her blog. She tweets at @priyaprithviraj. You can find and contact Priya Prithviraj here: Website | About Me page | Facebook | Twitter | Goodreads | Instagram
There is a cover reveal wide giveaway for the cover reveal of I Still Remember. Three winners will each win an e-copy of I Still Remember by Priya Prithviraj!
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Thanks so much for checking out I Still Remember‘s cover reveal.
Until the next post,
Synopsis: Only an orphan half-elf spy can avert a rebellion before it starts. Jie’s superior senses have made her the perfect lookout. Now, as the adopted daughter of the Black Lotus Clanmaster, she wants to prove her pointed ears aren’t a liability when she’s tasked to infiltrate a rebel lord’s castle. In this prequel novelette to Songs of Insurrection, Jie must decide between her duty to the emperor and her sense of compassion toward the downtrodden. No matter her choice, it will have explosive consequences for her, the realm, and the upcoming war.
By now, my love for Jie’s character and the Dragon Songs Saga is no secret. So I was excited to see that J.C. brought us this Legends of Tivara short and how well this short story tied into how we are first introduced to her character. Engaging narrative riddled with Black Lotus infiltration and action, equally balanced with small bits of humor strapped against an impending siege with Jie in the middle. What more could you ask for?
While a standalone story, reading this prelude before the series gives readers a greater insight into some details of Jie’s personality as well as parts of her past that we don’t read much about until later in the series. Though immensely skilled, perceptive and tactful, Jie’s character is also funny and hides a deeper layer of empathy that most don’t see. I might just be overly fan-girling but I stand by my statement ^_^. This short story was great and is highly recommended.
Thanks so much for reading, guys. Prelude To Insurrection is out now, so go check it out 🙂
Until the next post,
From the author of Three Souls comes a vividly imagined and haunting new novel set in early 20th century Shanghai—a story of friendship, heartbreak, and history that follows a young Eurasian orphan’s search for her long-lost mother. That night I dreamed that I had wandered out to Dragon Springs Road all on my own, when a dreadful knowledge seized me that my mother had gone away never to return . . .
In 1908, Jialing is only seven years old when she is abandoned in the courtyard of a once-lavish estate outside Shanghai. Jialing is zazhong—Eurasian—and faces a lifetime of contempt from both Chinese and Europeans. Until now she’s led a secluded life behind courtyard walls, but without her mother’s protection, she can survive only if the estate’s new owners, the Yang family, agree to take her in.
Jialing finds allies in Anjuin, the eldest Yang daughter, and Fox, an animal spirit who has lived in the courtyard for centuries. But Jialing’s life as the Yangs’ bondservant changes unexpectedly when she befriends a young English girl who then mysteriously vanishes.
Murder, political intrigue, jealousy, forbidden love … Jialing confronts them all as she grows into womanhood during the tumultuous early years of the Chinese republic, always hopeful of finding her long-lost mother. Through every turn she is guided, both by Fox and by her own strength of spirit, away from the shadows of her past toward a very different fate, if she has the courage to accept it.
All of the women in my life were telling me the same thing. My story, my truth, my life, my voice, all of that had to be protected and put out into the world by me. No one else. No one could take that from me. I had to let go of my fear. I didn’t know what I was afraid of. I wondered if I’d ever speak my truth.” – Juliet Takes a Breath.
Juliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn’t sure if her mom will ever speak to her again. But Juliet has a plan, sort of, one that’s going to help her figure out this whole “Puerto Rican lesbian” thing. She’s interning with the author of her favorite book: Harlowe Brisbane, the ultimate authority on feminism, women’s bodies, and other gay-sounding stuff.
Will Juliet be able to figure out her life over the course of one magical summer? Is that even possible? Or is she running away from all the problems that seem too big to handle? With more questions than answers, Juliet takes on Portland, Harlowe, and most importantly, herself.
I think the problem I had with writing this review was the fact that there was so much I wanted to say, so much that this book says, so many people out there in the world who I think needs to read and those who have simply ached for a book like this. If I could quote this entire book in this review right now, I would. As Raging Flower was to Juliet’s character, Juliet Takes A Breath will be to me.