Craig Oliver and Alex Scheff lead a charmed life. Craig is part owner of Sucre Coeur, the bakery he’s loved and managed for years. Alex is an up-and-coming Seattle photographer. Their relationship has been going strong for a year, and everything is absolutely perfect—right up until Craig receives a wedding invitation from his long-estranged brother.
As Craig grows tense over seeing his brother for the first time in years, Alex can’t control his anxiety over meeting Craig’s family. At the wedding in an English hamlet, boisterous Scottish mothers, smirking teenage sisters, and awkward ex-boyfriends complicate the sweet life they lead.
Sarita Sengupta is in her last semester of grad school and has finally realized she doesn’t have a career plan, a girlfriend, or a clear outlook on life. She works as a pastry shop’s head decorator, but is otherwise drifting without direction until a friend’s birthday party ends with her waking up in surprise next to Maritza Quiñones, a pretty ballroom dancer whose cheerful charm and laser focus sets Sarita on a path to making all of the choices she’s been avoiding.
Told in the present, third-person perspective, Certainly, Possibly, You brings a humbling, yet relatable perspective as the reader follows along with Sarita—Sucre’s top cake designer and ambitious PHD student trying to sort out her existential career path problem—and Maritza (Mari). The part-time pizza shop worker and full-time ballroom dancer–as their relationship tries to blossom and bloom amidst the two’s hectic schedules.
There were so many moments and scenes that made me fall in love with these two as a couple and as individual characters. From their awkward and shy encounters, to their blunt openness with one another and the sexy, gravitational pull that sparks when they’re around each other, but I ultimately had to give this book 3.5 star rating mainly because I became too bothered with one secondary character’s involvement with Mari and Sarita’s story.
“Fairytales For Lost Children” is narrated by people constantly on the verge of self-revelation. These characters – young, gay and lesbian Somalis – must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Using a unique idiom rooted in hip-hop, graphic illustrations, Arabic calligraphy and folklore studded with Kiswahili and Somali slang, these stories mark the arrival of a singular new voice in contemporary fiction