Craig Oliver and Alex Scheff lead a charmed life. Craig is part owner of Sucre Coeur, the bakery he’s loved and managed for years. Alex is an up-and-coming Seattle photographer. Their relationship has been going strong for a year, and everything is absolutely perfect—right up until Craig receives a wedding invitation from his long-estranged brother.
As Craig grows tense over seeing his brother for the first time in years, Alex can’t control his anxiety over meeting Craig’s family. At the wedding in an English hamlet, boisterous Scottish mothers, smirking teenage sisters, and awkward ex-boyfriends complicate the sweet life they lead.
Synopsis: “A brave, unflinching heroine and brave, unflinching writing add up to an extraordinary debut–highly recommended.”–Lee Child
A dark, compulsively readable psychological suspense debut, the first in a new series featuring the brilliant, fearless, chaotic, and deeply flawed Nora Watts—a character as heartbreakingly troubled, emotionally complex, and irresistibly compelling as Stieg Larsson’s Lisbeth Salander and Jo Nesbø’s Harry Hole.
It begins with a phone call that Nora Watts has dreaded for fifteen years—since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren’t looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope.
A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets. Caring despite herself, she sets out to find Bonnie with her only companion, her mutt Whisper, knowing she risks reopening wounds that have never really healed—and plunging into the darkness with little to protect her but her instincts and a freakish ability to detect truth from lies.
The search uncovers a puzzling conspiracy that leads Nora on a harrowing journey of deception and violence, from the gloomy rain-soaked streets of Vancouver, to the icy white mountains of the Canadian interior, to the beautiful and dangerous island where she will face her most terrifying demon. All to save a girl she wishes had never been born.
From talented debut author Simone Kelly comes this suspenseful novel that crackles with intrigue, sex, and plenty of surprises—perfect for fans of Eric Jerome Dickey and Carl Weber.
Meet Jacques Berradi. Moroccan-born and Manhattan-raised, his genuine, sexy-smooth allure goes hand in hand with a unique gift. Since Jacques was young, he has had the ability to read peoples’ energies, communicate with spirit guides, and even catch glimpses of people’s futures. Now a professional “intuitive counselor,” Jacques’s clients pay him handsomely for his insight. Unfortunately, Jacques’s psychic abilities don’t come with an off switch to tune out the world’s noise, nor do they always provide him with easy answers; recently Jacques has begun having dark, alarming dreams about his beloved father, a Moroccan immigrant who died when he was a boy.
Meet Kylie Collins, an adventurous, Miami twentysomething who is trying to find her footing after being laid off from a cushy music industry job. When a mishap brings them together, Kylie is instantly mesmerized by Jacques’s cool demeanor and intuitive abilities, and he’s captivated by her outgoing charm and breezy good looks. Seeking to learn more about her family history—including the identity of the father she’s never known—Kylie visits Jacques’s office to gain some insight about her future, and about her free-spirited and headstrong Jamaican mother, True.
But on the night that they meet, a rolling blackout cuts off power throughout Miami. Kylie and Jacques, and a few of his clients, head to the only place in the neighborhood with enough light to see: Like a Fly on the Wall Detective Agency. There, Kylie serendipitously lands herself the perfect new job as an apprentice private eye.
As partners, Jacques and Kylie are an unstoppable duo. Can Jacques’s intuition reveal the scandalous history of Kylie’s mother and father? Will Kylie’s newfound detective skills uncover evidence about the death of Jacques’s father? And will the chemistry that charges their friendship bubble over into something much, much hotter…?
A vivid, unforgettable story of an unlikely sisterhood—an emotionally powerful and haunting tale of friendship that illuminates the plight of women in a traditional culture—from the author of the bestselling The Pearl That Broke Its Shell and When the Moon Is Low.
For two decades, Zeba was a loving wife, a patient mother, and a peaceful villager. But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice.
Barely escaping a vengeful mob, Zeba is arrested and jailed. As Zeba awaits trial, she meets a group of women whose own misfortunes have also led them to these bleak cells: thirty-year-old Nafisa, imprisoned to protect her from an honor killing; twenty-five-year-old Latifa, who ran away from home with her teenage sister but now stays in the prison because it is safe shelter; and nineteen-year-old Mezhgan, pregnant and unmarried, waiting for her lover’s family to ask for her hand in marriage. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, as they have been, for breaking some social rule? For these women, the prison is both a haven and a punishment. Removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.
Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer, whose commitment to human rights and desire to help his motherland have brought him back. With the fate of this seemingly ordinary housewife in his hands, Yusuf discovers that, like Afghanistan itself, his client may not be at all what he imagines.
A moving look at the lives of modern Afghan women, A House Without Windows is astonishing, frightening, and triumphant.
Olawale and Oluwole are dreadlocked Yoruba lawyers, minority human rights activists fighting for a better Nigeria. Bisexual and closeted, Olawale has spent his adult life protecting and defending his charismatic, more evidently homosexual twin; but when the Same Sex Marriage (Prohibition) Act becomes law, they, their family, and the women who love them are caught in a savage spotlight that threatens to wreck all their lives. In the midst of this Wole and Wale must deal with an estranged convict father whose unexpected reappearance brings dark and troubling family secrets to light.
Fimí sílẹ̀ Forever celebrates the enduring power of love, desire, faith, patriotism and human rights struggle in the face of political oppression and religious prejudice in Nigeria today. It extends the literary conversation begun by Jude Dibia and continued by Chinelo Okparanta.
This book was incredible. Although largely aimed at an African audience, I recommend this book for the LGBTQI+ community; its supporters, human rights activists, and readers who enjoy moving, compelling, and resonating narratives that leave inspired conversation. The content in this book covers strong political, social, cultural, and religious oppression and life-threatening situations that contradict the early to late 2000s following the pass of the SSMPA (Same Sex Marriage Prohibition Act) in 2014 time frame that the book covers.
It is impossible to fathom some of the information the author reveals about the treatment of members, supporters and suspected LGBT individuals in Nigeria, but the accounts are real. Yet, so intricately woven in between these scenes are Wole and Wale, two queer brothers who actively use their skills and connections to push a wave of hope and peace to the otherwise vastly secretive gay community that is forced even further into hiding following SSMPA.
I have mentioned before how first person narration was not always my favorite to read, but with some of the books I have read recently, I am beginning to believe that it is not exactly true. Just with the prologue discussing the attack on a gay club in Nigeria and the criminalization of the victims, the reader is given a small glimpse of how regressive, from a Western point of view; a majority of the country is still today.
With that said, it is important to note how well the author delivers not only the political and religious perspectives of ‘traditional’ Nigeria, but also the progressive, forward thinking and widely read opinions of the population. The author does not offer the stereotypical narrative of closeted homosexuals or queer men who are constantly afraid of speaking out, pushing back or fighting for what is right.
Even with the threat of danger ever present in this book from beginning to end, Nnanna Ikpo presents his readers with the most realistic and relatable account of contemporary, queer Nigerian men doing what they can to make a difference for their community in the best way they know how.
Told mainly through Wale’s eyes, the reader experiences a strong complexity when it comes to the gay community because his character is bisexual. Wale stands behind his and his brother’s cause and work, but seems to often find himself struggling with his sexuality because on a deeper level he feels he’s a hypocrite. While at the same time knows that if he does not play the role of the heterosexual male just fighting for human rights of Nigeria’s minorities, real change may never come.
It is also clear that Wale is motivated by his love for his twin brother, Wole. Though focused on Wale, the author does a wonderful job of painting the clear lines that distinguish the two brothers, regardless of how forward thinking and similar they both are.
Wale seems to have a stronger resolve throughout the narrative than Wole about their decision to keep their sexuality a secret, but at times the author gives the reader a small glimpse of the sadness that lies just beneath Wole’s upbeat and outgoing personality that Wale is always attuned to. Fimí sílẹ̀ Forever: Heaven Gave It To Me, presents a story about love, family, life, hope, equality, community, politics, religion and culture that is so immaculately structured it was difficult to put it down.
One of the moving things about this book, and I could have interpreted it wrong, was there seemed to be a theme of forgiveness with this sense of determination to keeping forward projected with Wale’s perspective. Almost an ambiguous way of expressing that love and perseverance will eventually win-out over hate.
Each chapter opens and closes with a letter or an email and closed with a poem that signifies this ever-continuous foreboding sense of optimistic love and loss that pulls the reader into the chapter.
Like me, I think readers will fall in love with the way Nnanna Ikpo keeps the discussion on human rights consistent and open throughout this book. Connected to Wale’s deep love and pride for being Nigerian, a Christian, and a bisexual man who even, in the end, holds on to the possibility of a better future where there will be change leaves us all hopeful.
First off, thank you so much for allowing this brief Q&A. I deeply appreciate it. Fimí sílẹ̀ Forever is a truly wonderful book.
Thank you. I am glad you enjoyed it.
Please correct me if I am wrong, but the title itself, Fimí sílẹ̀, which is referenced in the book, roughly translated from Yoruba means “leave me alone.” What was your inspiration behind the title?
Your translation is in order. The first inspiration for the title was the popular hit track ‘Olufunmi’ by my all-time favourite boy-band Styl-plus, and reflects a longing to explore my Yoruba roots.
I guess my next question counts as a broad, creative writing process question in regards to the book. One of the key shifting points in Fimí sílẹ̀ Forever was the passing of the SSMPA in early 2014, so was that when the concept for the story came to life or were you already writing the book? If so, how long did completing the book take?
The basic premise of Fimí sílẹ̀ Forever came early in 2013. In my initial thoughts, the story would, among other things, be written predictively to show how ugly things could get if the bill became law. Months into writing the first draft, SSMPA was enacted. My anger at this hugely affected the rest of the writing and rewriting process. Our final draft of Fimí sílẹ̀ Forever emerged in December 2016. Fimí sílẹ̀ Forever took roughly four years.
How were the poems at the end of each chapter inspired?
While pieces like ‘Eka aro my love’, ‘Beni Perhaps’ and ‘Oremi Alhaji’ were inspired by personal experiences of real people and places, occasionally even scenarios from Nollywood films, others arose from the independent evolution of the plot and characters in Fimí sílẹ̀ Forever and their interaction with each other.
Do you have a favorite character or scene from this book? Or a least favorite?
This is a difficult question. The plot and characters in Fimí sílẹ̀ Forever were carefully crafted to capture and evoke multiple symbols, ideas, thoughts, dreams and places both real and imagined. All the characters have their merits (and demerits) and are not in competition with each other – and should never be made to be so. Every part of Fimí sílẹ̀ Forever was thought out and deliberated upon by me and informed by others, some of whom were unconsciously part of the creative process. As such I do not have a favourite character, scene, or least favourite one. They are all important parts of Fimí sílẹ̀ Forever’s big picture, and I think necessary.
The book is so rich with character depth and complex narrative layers that keep the reader emerged in the story as the layers slowly unravel. Therefore, I was curious about how much inspiration you took from real life for some of the characters and the strong discussions that take place in this book, i.e. the discussion that takes place at K.U. between the faculty members and Wale and his students for example.
Thank you! Real people and their dynamics in learning and working spaces may differ in form but are substantially similar everywhere, so in Fimí sílẹ̀ Forever, I simply dragged all these people from the several real spaces I have had access to, dropped them into fictitious classrooms and offices and let them deal with each other. Creativity, imagination, editing and rewriting helped me to layer and colour debates.
Do you have any advice for other aspiring Nigerian writers or just writers of the LGBT community who might want to share their stories and continue to bring awareness to the rigid system struggle they are battling?
It is often tricky to advise other writers, even when our primary aim is the same or similar. We have our varying methods, contexts and journeys, and often are strangers to each other. What I have is not so much advice but a salutation, and cognisance of the fact that our work is important and more than that, necessary. And because our art is mostly ‘queer’ and therefore subversive, it may attract more hostility than acclaim. It may not change the world – at least not hugely – but it will not leave it the same, inshallah.
This book was truly amazing and even with this review, I do not think I give it enough justice. It is highly recommended. Thanks so much for stopping by and checking out my review for Fimí sílẹ̀ Forever: Heaven Gave it To Me.
Until the next post,
The View From The Cheap Seats
By: Neil Gaiman
Genre: Non-fiction, Writing, Essays, Short Stories,
Rating: 3.7 rating
Publisher: William Marrow
Re-release Date: May 15, 2017
The New York Times bestselling non-fiction collection, now in paperback, from the author of American Gods, now a STARZ Original Series.
An enthralling collection of nonfiction essays on a myriad of topics—from art and artists to dreams, myths, and memories—observed in #1 New York Times bestselling author Neil Gaiman’s probing, amusing, and distinctive style.
An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.
I enjoyed this book because the selections were so vast and progressive. Neil covers topics linked to movies, films, music, books and several other topics that range in a tone of positivity and objectivity, with an imaginative progression, even with the subjects he has less love for than others. I knew going into the book that I would read about pieces of his life and learn more about how he perceives the world, but I can honestly say that what I liked most about reading this book was the way the essays and notations were engaging, light-hearted, funny and engrossing. It was kind of inspiring, at times to read and feel his optimism.
I selected a few articles in this book that I knew I wanted to read and ended up just freely getting caught up in others. For most readers who pick up this book, whether a fan of Gaiman or not, I think this collection will have the same effect. I’d recommend this book for book enthusiast who also likes to get caught up in books that offer layered content without anything complex or overbearing. It’s a good book to have on your shelf to pick up to read at any time and it would make a great road trip book as well.
About The Author:
Neil Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book, Good Omens (with Terry Pratchett), The Ocean at the End of the Lane, and The Truth Is a Cave in the Black Mountains; the Sandman series of graphic novels; and the story collections Smoke and Mirrors, Fragile Things, and Trigger Warning. He is the winner of numerous literary honors, including the Hugo, Bram Stoker, and World Fantasy awards, and the Newbery and Carnegie Medals. Originally from England, he now lives in the United States. He is Professor in the Arts at Bard College.
Tour Organized by:
Thanks so much for stopping by for this tour. Be sure to continue to watch this space this week 🙂
Until the next post,
Synopsis: Only an orphan half-elf spy can avert a rebellion before it starts. Jie’s superior senses have made her the perfect lookout. Now, as the adopted daughter of the Black Lotus Clanmaster, she wants to prove her pointed ears aren’t a liability when she’s tasked to infiltrate a rebel lord’s castle. In this prequel novelette to Songs of Insurrection, Jie must decide between her duty to the emperor and her sense of compassion toward the downtrodden. No matter her choice, it will have explosive consequences for her, the realm, and the upcoming war.
By now, my love for Jie’s character and the Dragon Songs Saga is no secret. So I was excited to see that J.C. brought us this Legends of Tivara short and how well this short story tied into how we are first introduced to her character. Engaging narrative riddled with Black Lotus infiltration and action, equally balanced with small bits of humor strapped against an impending siege with Jie in the middle. What more could you ask for?
While a standalone story, reading this prelude before the series gives readers a greater insight into some details of Jie’s personality as well as parts of her past that we don’t read much about until later in the series. Though immensely skilled, perceptive and tactful, Jie’s character is also funny and hides a deeper layer of empathy that most don’t see. I might just be overly fan-girling but I stand by my statement ^_^. This short story was great and is highly recommended.
Thanks so much for reading, guys. Prelude To Insurrection is out now, so go check it out 🙂
Until the next post,
Months after saving Jamie and Deanna from crywolf, Kiara and her brother Cole have moved into the city. While clubbing one night, Kiara is stunned to see her ex, Taryn, onstage. But before she can react, Jamie notices a distinctive tattoo in the crowd: an axe rumored to be the mark of the Huntsmen, a group of werewolf-tracking humans. The girls need to leave immediately—and since Taryn is also a werewolf, they need to take her with them.
The Huntsmen are more than a myth, and they’re scouring the city for lone wolves just like Taryn. Until the General North American Assembly of Werewolves lends a plan of action, Kiara’s small pack is on lockdown in a friend’s apartment, where she and Taryn must face the differences that drove them apart. Furthermore, the longer the group waits, the more it seems the Huntsmen haven’t been acting entirely on their own.